I joined 9.5
million viewers watching A.D. The
Bible Continues last week and again last night. Producers Roma Downey and Mark
Burnett have crafted a passable story line that draws on Scripture, but it has
a few features that bother me slightly. It is not surprising that the story
would be juiced up a bit, given Burnett’s filmography. The
creator of such big reality shows as Survivor
and Apprentice can’t be expected to
simply stage what really happened according to the Bible. No one believes his
other shows are not somewhat inventive when it comes to the “reality” part of
reality TV.
In principle I have no quarrel
with adding imaginative features to a Bible record to make it come alive. I did
exactly that in my novel, Wings of
Mentridar (out of print but available
digitally on Amazon). The difference between my inventions and Burnett’s
may be minor, but I find them significant. I took what little we know about the
biblical account of Noah and added details that seemed plausible without
contradicting the Scriptural facts. Even though I invented an entire angelic
universe to go along with Noah, I strove to keep it aligned with what we know
from Scripture.
Downey and Burnett have taken a
half a step away from that position, in my opinion. There are three features of
A.D. that bother me. First is making
Pilate and Caiaphas central to the story. I did not put a stopwatch on it, but
I would estimate that the political interplay of those two leaders filled far
more screen time than the acts of the Apostles. I understand the need to fill a
back story, but if screen time is money, too much was spent on fictional background
and too much left out of the true story. Some vitally important biblical facts
were omitted: for example, one would assume that Jesus only appeared after his
resurrection twice briefly to the Apostles in the upper room. No mention is
made of his dozens of appearances to a total of hundreds of people.
The second feature of the film
with which I take issue is the prominent place given to women in every
relationship. Outside of the biblical record, history teaches that women were not
regularly involved in the political and religious decisions of the day,
Cleopatra and a few others excepted. Pilate and Caiaphas are both badgered by
intrusive wives. Given either Jewish or Roman culture of the day, this seems
unlikely. Even Peter is strongly influenced by an imagined daughter, his wife
having died, according to the script of A.D.
There is nothing wrong with thinking women were players in a patriarchal
society on some level, but the prominence given by Downey/Burnett smacks of
feminist revisionism.
Another interesting bit of
possible revisioning is making the Apostle John a black man. It is not
impossible that Jesus could have found dark skinned men in Palestine to form
part of his original twelve. There are specific instances of black men
mentioned in Acts, most notably in 13:1 where a disciple named Simeon was “called
Niger” which is Latin slang for black man. Also, the regions from which people
gathered for the Passover as listed in Acts 2 include areas that could well
have had blacks among the population. My difficulty with a black Apostle is
only that I believe for theological reasons Jesus would have specifically
called sons of Abraham and not sons of Ishmael (assume if you like that Hagar
was a black woman). There is really no need to “color” the players in the
Bible; truth be told, they would all be people of color by today’s standards,
Jesus included.
There are those who will say I am
picking at nits. They may be right. If Downey and Burnett were not cutting out
so much we know is true and replacing it with things that are pure speculation,
I would be less uncomfortable. The teller of any story presumes to share only
that which supports the theme; the Bible itself is like that. The apostle John
admits that endless books could have been written about Jesus; he made
editorial choices to limit his tome. My beef with A.D. is that it left too much meat on the bone and served up too
much fluff.
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